Documentary Film Editor in London
London-based documentary film editor (also Sydney). I cut long-form series and feature docs, with a focus on story and structure, character shaping, and archive builds. Available in-person across London/UK or remote worldwide. Also available in Sydney/NSW (visit Sydney page).


Editor | Nutopia / Nat Geo
Disney+

Editor | Wall to Wall
Netflix

Editor | BBC Studios
BBC Two

Editor | Lion Television
Nat Geo // Disney+

Editor | Grain Media
BBC Two

Editor | BBC Studios
BBC One

Editor | Pulse Films
Viaplay

Editor | Passionate Prod.
BBC Two

Editor | Optomen Television
Discovery+ // Prime Video

Additional Editor | Left Field
Theatrical Release

Editor | Dragonfly Film & TV
BBC Two

Editor | STV
Channel 4

Assoc. Editor to Walter Murch
Theatrical Release

Editor | Tuesday's Child
Channel 4

Editor | BBC Studios
BBC Two

Editor | Punch Records
Theatrical Release

Editor | CC Lab
BBC Three

Editor | CNN
CNN International
Documentary editing services (London / UK)
I’m a London-based documentary film editor, writer and edit consultant (also Sydney), working across feature docs and series. I’m often brought in from concept through to completion - shaping story and structure, character and performance, building archive sequences, and finishing the offline so handover to online/grade/mix is smooth. I’m also brought in mid-cut or late in the edit to troubleshoot structure, pacing and tone, and to lift and polish an existing cut.
What I do
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Long-form offline editing (series + features) and edit/story consulting
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Story + structure passes (beat map, paper edit, restructuring)
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Archive-heavy sequences and narrative builds
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Sizzles / pitch tapes / trailers
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Delivery support and smooth handover to online/grade/mix​​
How we can work together (London + remote)
Available for in-person sessions across London/UK, or remote worldwide. I can join from rushes and build a cut from the ground up, or step in mid-process for a story pass to sharpen structure, pacing and clarity.
Tools & Workflow
Avid Media Composer and Adobe Premiere Pro. Comfortable with long-form organisation, transcripts, archive management, and a tidy turnover for online.
Tell me your format (feature/one-off/series), where you’re at (rushes/assembly/cut), and your timeline.

